2012 Biennial Conference | Vienna
Programme
For PDFs of the full print programme or map and timetable please see the "Downloads" sidebar to the right.
Programme Timetable
Thursday 8 November
10.30 - 18.00 Registrations
(Halle E Foyer)
09.30 - 13.00 ArtSHARES: SHARE Dissemination Session
Keynote Speaker: Ute Meta Bauer
Registration required.
For detailed programme click ArtSHARES above.
(Leopold Museum Auditorium, Foyer and Arena21)
14.00 - 15.00 Opening Session
Welcome Speeches and Performances
(Halle E)
15.00 - 16.00 Art Knows - Part 1 Session
Speakers: Gerald Bast and Hito Steyerl
(Halle E)
16.00 - 17.00 Table Talks 1
(Halle E, Ovalhalle, Arena21)
17.00 - 18.00 Art Knows - Part 2 Session
Speakers: Mick Wilson and Matthias Horx
(Halle E)
20.00 - 23.00 Dinner Reception
(Festsaal-City Hall Vienna)
Friday 9 November
09.00 - 10.00 Coffee and registration
(Halle E Foyer)
10.00 - 12.00 Art Questions Session
Speakers: Jeanne van Heeswijk, Peter Weibel, and Isabel Mundry
(Halle E)
12.00 - 13.00 Table Talks 2
(Halle E, Ovalhalle, Arena21)
13.00 - 14.30 Lunch
(MUMOK Hofstallung)
14.30 - 16.15 Art Matters Session
Speakers: Raumfaltung group: Laura Popplow,
Lena Freimüller, Therese Schuleit; Gerhald Treml;
Shady El Noshokaty; Maria Aiolova-Terraform One
(Halle E)
16.15 - 17.15 Table Talks 3
(Halle E, Ovalhalle, Arena21)
17.15-18.00 Closing Speech
Speaker: Yoko Ono
(Halle E)
18.00 - 18.30 Closing Plenary
Speakers: Klaus Jung and Gerald Bast
(Halle E)
21.00 - 01.00 Party
(MUMOK Hofstallung)
Saturday 10 November
09.00-09.30 Coffee and registrations
(Leopold Museum Auditorium Foyer)
09.30 - 13.00 ELIA General Assembly
(Leopold Museum Auditorium)
For detailed programme click ELIA General Assembly above.
14.00 - 17.00 Open Space Programme
14.00-17.00 Open Floor Podium for Delegate Presentations
(Halle E)
14.00-15.30 Parallel Sessions:
Thematic Session:
Making Differences
(Leopold Museum Auditorium)
Network Session: FEDEC
(Lounge)
Network Session:
EPAS and
ENCEPA
(Baroque Suite B)
ELIA Session: EQ-Arts - Quality Review
(Baroque Suite C)
ELIA Session: New European Funding Programmes
(Baroque Suite A)
15.30-17.00 Parallel Sessions:
Network Session:
PARADOX – Fine Art European Forum
(Baroque Suite A)
Thematic Session:
PEEK
(Leopold Museum Auditorium)
Discipline Session:
Conservation and Restoration
(Baroque Suite C)
Discipline Session:
Musical Theatre
(Baroque Suite B)
15.30-17.30 Discipline Session:
Dance
(Lounge)
17.00-18.00 Parallel Sessions:
Discipline Session:
Audiovisual Communication
(Leopold Museum Auditorium)
ELIA Session: NEU NOW Festival Presentation
(Baroque Suite A)
Thematic Session: In-between-ness
(Baroque Suite B)
Speakers
Click name for biography.
ArtSHARES Speakers
Fifteen Statements Polling Results
The three sub-themes of the 12th ELIA Biennial Conference - Art Questions, Art Knows, Art Matters - were chosen to provoke discussion and thoughts that have the potential to shape Higher Arts Education in the future. Following this mission we invited conference participants to respond to a list of statements to provoke conversation and initiate alternative thinking.
We asked participants to pick a maximum of seven statements out of fifteen that they felt were of importance. The following are the results of this polling with the statements listed in order of importance as indicated by the combined votes (please note an asterik indicates a tie for placing):
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FIRST PLACE Statement 10: Art making supports independent thinking and enables to see and show the world in new and unexpected ways.
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SECOND PLACE Statement 3: Higher Arts Education should reclaim the role of being a leading factor for social change beyond economic growth.
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THIRD PLACE* Statement 12: Freedom of the arts and freedom of Higher Arts Education are radical preconditions for our social, economic and cultural wellbeing.
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THIRD PLACE* Statement 13: Art and art making can contribute to knowledge through their own methods of thinking and production.
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FOURTH PLACE* Statement 1: The crisis of our market-oriented economic and social systems calls for a repositioning of the arts and Higher Arts Education within society.
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FOURTH PLACE* Statement 11: The jobs, careers and businesses of the future have not been invented yet; students need to be equipped with the necessary capabilities to design their own future and the future of our societies.
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FIFTH PLACE* Statement 7: Higher Arts Education contributes to the understanding of world with the experience as being different and living differences.
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FIFTH PLACE* Statement 8: Higher Arts Education provides students with a wide range of skills which reach further than the arts itself.
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SIXTH PLACE Statement 14: Institutes of Higher Arts Education need to be equipped with appropriate means to undertake research and equivalent activities.
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SEVENTH PLACE* Statement 2: Higher Arts Education has proven to be vital for the economy and creative industries.
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SEVENTH PLACE* Statement 5: Higher Arts Education promotes a highly individual approach to learning which values time as a condition for constantly evolving intellectual and emotional maturity.
Cultural Events
Museums Guided Tours
On Wednesday, Saturday and Sunday guided tours of the museums of the MuseumsQuartier will be offered to the Conference participants free of charge. Registration in advance is requested vie the online conference registration form. Because of limited availability, we cannot guarantee you will be assigned your preferred tour. Assignments are made on a first registered, first assigned basis.
Please find here below a list of the Museums and link to their webpages:
mumok – Museum Moderner Kunst Stiftung Ludwig Wienmuseum features 4.800 square meters of exhibition space for the main works of the collection of modern and contemporary art.
KUNSTHALLE wien : beside few public projects and workshops, a new exhibition on Marina Abramovic will be showing.
Leopold Museum owns the largest collection in the World of Egon Schiele and it will host an exhibition on Melancholy and Provocation, in occasion of its tenth anniversary.
Opening
Following welcome speeches from the organisers, Brigitte Jank, President of the Austrian Economic Chamber and representatives of the Federal Government, a live performance will open the ELIA Biennial Conference 2012.
Dinner Reception at the Vienna City Hall
On Thursday evening, participants of the conference are invited to attend the Buffet Dinner Reception at the City Hall of Vienna
(Festhall - Entrance: 1010 Vienna, Lichtenfelsgasse 2, Feststiege I)
An official invitation will be distributed at the registrations to the Conference delegates.
Party
On Friday night you’ll have the opportunity to meet, dance and relax during a live music event organized in the Hofstallung of the MUMOK.
Please notice an additional 20 EURO fee is required and it can be selected through the online registrations.
Exhibition Opening
Rosa Arbeit auf Goldener Straße
On Friday evning from 19.00 onwards at xhibit, the exhibition rooms of the Academy of Fine Arts Vienna, will be hosting the opening of an exhibition as part of the project Dildo Anus Macht: Queere Abstraktion.
Project leaders and ymposium concept: Hans Scheirl, Ruby Sircar
Exhibition curators: Christiane Erharter, Dietmar Schwärzler
About the project:
The concept "queer" is meanwhile omnipresent and lives from its immanently constructed complexity. What exactly is meant by it remains therefore often unspecific and depends on the users and context. The exhibition project takes as a starting point a definition posited by Judith Halberstam: "queer refers to nonnormative logics and organizations of community, sexual identity, embodiment, and activity in space and time." The exhibition title Rosa Arbeit auf Goldener Straße makes reference to an earlier, disarming short film by Rosa von Praunheim: In Rosa Arbeiter auf Goldener Straße II (1968), a young woman flees from the (former) East block to the West and finds shelter in the bourgeois art milieu. This transgression, also intended in a political sense, is the motif of the exhibition, which also includes works from artists of post-socialist countries. There is still a dominant idea that these countries' queer art production lacks visibility.
The project Dildo Anus Macht: Queere Abstraktion, along with the exhibition Rosa Arbeit auf Goldener Straße, also includes a four-day symposium (22 - 25 November 2012) on the theme of queerness in everyday life and work. Questions on gender relations and difference will be negotiated, as well as questions of post-pornographic and post-colonial content, within the background of material and artistic necessities. Judith/Jack Halberstam, Nikita Dhawan, Tim Stüttgen, Eliza Steinbock, Antke Engel, Gini/i Müller, Maria Llopis, Sushila Mesquita, among others, have been invited as speakers and workshop leaders.
Venue:
Xhibit
Schillerplatz 3
1010 Vienna
1st Floor
ELIA General Assembly
The ELIA General Assembly will be held on
Saturday 10 November, from 09:30 till 13:00 at the Leopold Museum Auditorium.
While the ELIA Conference will be open to all delegates, the General Assembly is a forum that is restricted to ELIA members only. Here below a tentative agenda.
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Welcome, introductory remarks , presentation Board, method of election
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Approval minutes Nantes 30 October 2010 (to be endorsed)
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Introduction election nominees
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Elections
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Activities and Financial reports 2010-2012 (to be received)
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Report on current developments on Quality issues
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Report on current developments transparency tools
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Report on current developments relation Higher Arts Education and Creative Industries
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Four Year Development Plan 2012-2015 (to be approved)
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New Programmes of the European Commission
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Resolutions and recommendations
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Results election
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Closing remarks
Venues
Below is a map of conference venues, located within the MuseumsQuartier.
Click on image to enlarge.
Travel and Accommodations
Travel
Vienna lies at the heart of Europe. Vienna-Schwechat Airport is located 18 km outside the city limits and offers ideal connections to the rest of the world. The City Airport Train (CAT) takes you from the airport to central Vienna in only 16 minutes. For more information visit
www.viennaairport.com
Accommodations
ELIA has arranged block bookings for special rates at several hotels within walking distance or few metro stops from the conference venues.
The following hotels are some suggestions in different hotel categories. More options are available below.
Hotel 3 Kronen***
www.hotel3kronen.at
Schleifmühlgasse 25, 1040 Vienna
87,00 € for Singe Rooms
97,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA
(valid until 15 September 2012)
Hotel Beethoven****
www.hotel-beethoven.at
Papagenogasse 6, 1060 Vienna
98,00 € for Singe Rooms
108,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA Kontingent
(valid until 30 September 2012)
Hotel Das Tyrol****
www.das-tyrol.at
Mariahilfer Strasse 15, A-1060 Vienna
169,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA
(valid until 8 October 2012)
Hotel Topazz****
http://hoteltopazz.com/home/
Lichtensteg 3, 1010 Vienna
Different price categories 168-368 €
For reservations, please contact [email protected]
Reservation code: ELIA
(valid until 12 September 2012)
For ease of browsing these hotels have been sorted by the following criteria:
To browse accommodations by location and proximity to conference venues click here.
To browse accommodations by price click here.
To browse accommodations by star rating click here.
Vienna
Conference Venues
The University of Applied Arts Vienna
More than 2,000 students, many of them from abroad, study at the University of Applied Arts Vienna, Die Angewandte, which was founded in 1867. Die Angewandte is an institution with a long tradition that has played a key role in the development of Vienna’s and Austria’s cultural and intellectual identity. Today it is one of the world’s most important art universities, offering a wide-ranging spectrum of programmes. It plays a pioneering role in many new fields, such as transmedia and transdisciplinary art, art and science, social design and artistic research. The increasing linking of various disciplines, to which Die Angewandte is continually adapting with new interdisciplinary programmes, offers students a great diversity of possibilities for designing their own individual course of study. Each student’s progress through the wide spectrum of learning opportunities is closely accompanied by advisors and instructors from a variety of fields of art, science and scholarship. In addition to transmitting artistic and scientific competence, all programmes of study aim to promote critical reflection and encourage independent action, enabling university graduates to make significant contributions to the further development of our society.
City of Vienna
Worldwide, Vienna numbers among the cities with the highest quality of life. The city on the Danube, surrounded by the Vienna woods and hillside vineyards, is located in the Vienna Basin, which links the Eastern Alps and the Western Carpathian Mountains. The former Habsburg capital is widely known as the historic city of music and Viennese Modernism. Today a fresh wind is blowing through Vienna’s urban environment, which is enlivened by a thriving art, design and architecture scene. Transdisciplinary activities, networks, initiatives and cooperation reaching far beyond the bounds of conventional artistic categories, festivals of contemporary art and museums with open doors for young art, characterize Vienna’s cultural identity today. The urban space is a collaborative laboratory for manifold creative niches, for a plurality of styles, living spaces and perspectives.
MuseumsQuartier Wien
The MuseumsQuartier Wien, the MQ, is one of the world’s largest and most transdisciplinary complexes for modern art and culture. It is home to nine museums and venues for fine arts and performing arts, music, fashion, design, children’s culture, architecture and digital culture. It also is a habitat populated by more than 60 culture initiatives. The MuseumsQuartier is an urban hub and meeting point for many cultural enthusiasts.
Architecturally, Baroque mixes with new structures and contemporary arts – for example in the Electric Avenue of quartier21, where the university’s Department of Digital Art often exhibits. Even early on, at the opening of the MQ in 2001, the leitmotif was “Baroque meets Cyberspace”. Since then the idea of culturally linking the new and the old has characterized the MQ. In this respect it represents Vienna’s contemporary cultural environment with an accent on new – and even radical – developments arising from this symbiosis.
Plenary Sessions and Table Talks Overview
The 12th ELIA Biennial Conference is composed of four major parts:
ArtSHARES, a dissemination and network meeting; the conference plenary sessions with distinguished keynote speakers and table talks (see below); the
ELIA General Assembly and the
Open Space programme.
Opening Session
The Rector of the University of Applied Arts Vienna,
Gerald Bast and the ELIA President, Kieran Corcoran,
welcome the delegates of the 12th edition of the ELIA
Biennial Conference. Karlheinz Töchterle, Federal
Minister for Science and Research and Andreas
Mailath-Pokorny, Executive City Councillor for Cultural Affairs Vienna address the audience during this official Opening Session.
Plenary Sessions: Art Questions, Art Knows, Art Matters
The conference core is divided into three plenary sessions – Art Questions, Art Knows, Art Matters. Each session features keynote speakers offering thoughts provoking presentations to further promote dialogue. Following each keynote speech delegates will have the opportunity to discuss in smaller groups over coffee, tea and soft-drinks. A series of questions will be raised to give jumping off points for discussion, to illuminate the interrelationship between art, science and society.
Art Knows: the creative arts contribute to the experience of life in parity with science and philosophy.
The arts have the capacity to persuade, subvert, celebrate and confront; to challenge the status quo; to act as powerful cultural agents; to inspire an individual's aspirations, to help people learn to appreciate differences and to construct coherent value systems. In this first plenary session, artists andeducators will be joined by the futurist Matthias Horx to examine the quality of knowledge deriving from the arts. In other words, how arts contribute to knowledge and its fundamental role in shaping our thoughts and our future.
Art Questions: on Friday morning, the discussion will focus on the investigative, explorative and analytical qualities of the arts.
The arts constitute a distinct network of knowledge, complete with its own language and procedures, that enables us to describe, understand and engage in different forms of experience. The tone of our debates will be set by keynotes from established artists, who have successfully developed careers in the arts or who have added leading curatorial and theoretical influence to their practice.
Art Matters: The arts (and artists) make a substantial contribution to the economy and to social change.
Artists and arts graduates are invaluable not only to the arts but to society at large. Artists provide a workforce with a more sophisticated range of creative, interactive, negotiating, presentation, team-building, decision-making and entrepreneurial skills. Young and more established artists have been invited to add more arguments and to underpin this claim.
Table Talks
Following the input of the keynote speakers, delegates will be divided into small groups to discuss over coffee in a more informal atmosphere. These small groups have been designed to facilitate dialogue and allow delegates the opportunity to network and make new contacts. The conference organizers will instruct the delegates to choose a new group composition for each table talk, increasing and diversifying the number of people to meet.
On the back of each delegate’s badge there will be information about the group and the room assigned to each participant.
About SHARE
SHARE is an international networking project comprising 40- partners from across Europe working together on enhancing the 3rd cycle of arts research and education in Europe.
Programme ArtSHARES
The dissemination sessions by the SHARE Network, ArtSHARES, will explore different ways in which creative arts research can be disseminated, networked, exhibited, presented, published, broadcast, webcast, and generally distributed/archived for the future.
The sessions will feature a keynote speech from Ute Meta Bauer and two thematic strands, Performative Dissemination and Dissemination in Industry, focusing on case studies from a number of speakers.
ELIA members are welcome to attend the SHARE Sessions and can register through the online registration form.
Thursday 8 November
For speaker biographies and detailed abstracts of their presentations please click on their name or visit the "Speakers" sidebar.
9.00-9.30 Registration for ArtSHARES delegates at the
Venue: Leopold Museum Auditorium
9.30- 11.00 Keynote:
ArtSHARES Plenary Session
Venue: Halle E
Speaker: Ute Meta Bauer
Invited Respondent: Barbara Holub
11.00-11:15 Coffee Break
Venue: Halle E Foyer
ArtSHARES Parallel Sessions
For the rest of the programme participants can choose between two thematic strands:
11.15-13.00 Strand A:
Performative Dissemination
Venue: ARENA21
Issues Addressed:
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Dissemination of work involving live performance, where there is a restriction on documentation intrinsic to the artwork’s particular nature or form.
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Dissemination that is performative in character.
Casestudy #1
"Circu-analysis”, a “psychoanalytical” reading of the identity of the circus-artist behind his/her act
Speaker: John-Paul Zaccarini
Topics Addressed: The challenges of sharing knowledge that is based in a transitory “event” / ephemeral practice
Casestudy #2
A Lecture Performance about Lecture Performances
Topics Addressed: Subject matter and mode of dissemination overlap
11.15-13.00 Strand B:
Dissemination in Industry
Venue: Leopold Museum Auditorium
Issues addressed:
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Dissemination of work involving partnership with industry and subject to IP issues.
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Dissemination of work involving non-specialist/non-professional collaborators where issues of co-ownership of work or confidentiality or other concerns arise.
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Dissemination that is primarily oriented to a professional world or to a general public (not the academy as such).
Casestudy #1
A 3rd Cycle Researcher Working with Industry
Speaker: Simon Dennehy
Topics Addressed: The challenges of sharing knowledge that is commercially sensitive from the perspective of a 3rd Cycle researcher working with industry
Casestudy #2
Swimming with the Sharks, or Biting the Hand that Feeds You
Speaker: Trygve Allister Diesen
Topics Addressed: The challenges of sharing knowledge that is based in ongoing collaboration and dialogue
Open Space
The Open Space is located in the Foyer of the Halle E, at the heart of the conference.
The Open Space will accommodate networking, discussion, sharing of experiences and information, dissemination of materials, and the starting of new initiatives.
On Saturday afternoon, several parallel sessions focusing on specific topics or disciplines will be organized by ELIA Members and Partners. In addition, ELIA has organized two sessions, one on Quality Assurance and the other on New European Funding Programmes.
Detailed information on these Discipline, Network and Thematic sessions is available by clicking directly on the titles below.
Discipline Sessions
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Audiovisual Communication
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Conservation and Restoration
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Dance
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Musical Theatre
Network Sessions
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ENCEPA (Joint Session with EPAS)
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EPAS
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FEDEC (Fédération Européenne des Ecoles du Cirque Professionnelles)
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PARADOX - Fine Art European Forum
Thematic Sessions
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Making Differences - Researching Inequalities in Higher Arts Education
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In-between-ness: Using art to capture changes to the self during anti-depressant treatment
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PEEK - Funding of Arts-based Research
ELIA Sessions
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EQ-Arts - Quality review visits offered by ELIA
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New European Funding Programmes
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NEU NOW Festival Presentation
Open Floor Podium
The Open Floor Podium also scheduled for Saturday afternoon, is a free space for pre-registered delegates to present their own works, institutions or anything else they are passionate about and want to bring into the public eye at the conference. A separate programme for The Open Floor Podium is available in the delegates’ bag.
Biennial Book Fair
The Biennial Book Fair further encourages the exchange of knowledge by featuring selected professional publications submitted by the conference participants which will be available for sale for the duration of the conference.
Maria Aiolova
Maria Aiolova is an educator, architect and urban designer in New York City. Her work is focused on the theory, science and application of ecological design.
She is the founding Co-President of
Terreform ONE and a Partner at Planetary ONE.
Presently, Maria chairs the ONE Lab NY School for Design and Science and the One Prize Design and Science Award. Most recently, Maria was faculty at Pratt Institute, Graduate School of Architecture and Urban Design and Parsons the New School for Design.
She has taught at University of Toronto, Wentworth Institute of Technology and Boston Architectural Center and has been a visiting lecturer and critic at Harvard GSD, Columbia University, Cornell University, CUNY, Washington University, the Cooper Union and Rhode Island School of Design.
Maria was the winner of the Victor J. Papanek Social Design Award sponsored by the University of Applied Arts Vienna, the Austrian Cultural Forum, and the Museum of Arts and Design in 2011. She has a number of winning competitions including first place in the CHARLES/MGH Station, Boston and the Izmir Post District International Competition, Turkey. Maria won the Zumtobel Group Award for Sustainability and Humanity and the Build Boston Award.
She received her M.Arch. in Urban Design from Harvard University, B.Arch. from Wentworth IT with Honors, Dipl.-Ing. from the Technical University of Vienna, Austria and Sofia, Bulgaria.
Trygve Allister Diesen
Trygve Allister Diesen is a director and writer/creator of feature films and television drama, working in Scandinavia and the US. Half Norwegian-half Scottish, Diesen has directed and/or written five feature films, and directed more than 130 episodes of TV drama. His
work has been screened at festivals globally, and his second feature
Hold My Heart was Norway’s submission for the Academy Awards in 2002. His first English-language film
Red premiered in Sundance in 2008, and he has recently written a pilot for HBO.
Trygve Allister Diesen was the first research fellow in directing at the Norwegian Film School, completing his doctoral project
Being the Director - Maintaining Your Vision while Swimming with Sharks in 2010.
He got his basic training at the School of Cinematic Arts at the University of Southern California in the nineties, and is currently partner in the Oslo-based upstart production company tenk.tv
ArtSHARES Abstract
Swimming with the Sharks, or Biting the Hand that Feeds You
Challenges of sharing knowledge that is based in ongoing collaboration and dialogue.
Being the Director – Maintaining Your Vision while Swimming with Sharks – is an artistic research project and video essay where director and former artistic research fellow Trygve Allister Diesen quite literally interviews himself and scrutinizes his own work and process to study the role of the film and TV director.
Starting with the core question "is it possible
to maintain a personal, artistic vision in an art form as collaborative and commercial as film
and television?", he soon realizes that he has no clear definition of what "director’s vision"
really is.
Swimming with Sharks is a personal video essay about Diesen’s work and process as director/creator on the hard-boiled TV-series
Torpedo, and the American feature film
Red (Sundance 2008), juxtaposing his video diary with footage from the set, and interviews with key staff and collaborators, who often see things rather differently than the director. Diesen also interviews international capacities like Danish director Per Fly and character actor Brian Cox, using their input as a sounding board to his own ongoing reflection.
In his presentation, Diesen will screen clips of his video essay and discuss some of the challenges of personal, practical, ethical and artistic nature when you place (or even force) your artistic research project on an already ongoing ambitious endeavor with many vested interest, artistically as well as financially.
He will also particularly address challenges related to how you can use and share that knowledge, often gained in vulnerable and personal moments - or disseminate your research.
The video essay is a part of Diesen’s doctoral work in directing at The Norwegian Film School.
Gerald Bast
Dr. Gerald Bast is rector /president of the University of Applied Arts in Vienna, Austria since 2000.
He published in the fields of university law, university management as well as educational and cultural policy.
He is speaker of the Rectors of Austrian Universities of the Arts, Vice president of the Austrian Rectors‘ Conference (Universities Austria), Member of the scientific Board of the “Journal for University Law, University Management and University Politics (Zeitschrift für Hochschulrecht,Hochschulmanagement und Hochschulpolitik), Board-Member of the European League of Institutes of the Arts (ELIA) and member at the pool of experts for the Institutional Evaluation Programme of European University Association (EUA)
Simon Dennehy
Simon Dennehy graduated from the National College of Art and Design in 2003. After working in industry with many progressive Irish companies, he chose to return to his Alma Mater to commence a two year research masters, through Industrial Design. While continuing to work, both as an employee and as an independent design professional, Simon chose to study Ergonomic School Furniture for Primary School Children, as his research question.
This subject arose as a result of ongoing work that had been undertaken in NCAD by his tutor Dr. Gearóid O'Conchubhair, whose PhD saw the development of very specialist furniture for Orchestral Musicians. Building on this work, Simon took an interdisciplinary look at existing methods, theories and practices, related to task seating and work.
By the end of his Research Masters, Simon had developed and designed a patented system for sitting and working, which had shown to improve the comfort and posture among Primary school children. After showcasing this work at the NCAD annual exhibition, Simon decided to pursue this concept in several different ways.
In 2009, he established his Design company,
Perch, to commercialise the IP and design vision, which emerged from his MA. Simon has built a very comprehensive team of 5 designers and engineers and has received several business awards, with some financial awards from Enterprise Ireland. This work has shown great potential with international furniture leaders and from October 2012, the RAY school furniture system has been launched at the worlds leading furniture fair, Orgatec. His research has continued and forms the foundation for the company's direction. Perch is now collaborating with several leading companies to generate new furniture solutions, which are primarily based around his MA and ongoing PhD research work.
In 2009, in the same month that Perch was formed, Simon chose to continue his academic research. He joined the GradCAM school in Dublin, to undertake a PhD, with the hope to define the interdisciplinary nature of the design process, with relation to task furniture. This study is ongoing. Charting the design progression from the Perch/RAY school furniture design, its interaction and evolution in the commercial world and the postural analysis deployed during the development phase, are key building blocks for this study. Using both Quantitative and Qualitative assessment methods to determine the validity of a new approach to task work Simon has learned to use the scientific equipment as a design tool. By partnering with physiological laboratories such as MEDIC, in Cork, he noted large gaps and inconclusive/unsatisfactory findings from short term studies. In reaction to this, Simon designed a new long term observation study to visually assess the posture of school children in their natural environment.
The combination of Physiological assessment tools with Qualitative visual assessment, through a design lens, is where Simon's PhD will emerge.
Simon and his tutor, Gearóid pursued funding from the EU's FP7 programme, under the IAPP scheme, in 2009. Entitled TFE, (Task Furniture in Education) their project received the highest ever rating at proposal level and the project received over €1.3 million in funding. TFE is now an active and exciting project which hopes to create and direct new legislation, for the appropriate design of educational furniture. With very substantial project partners, such as VS Moebel, Fielding Nair International, BAG, Trinity College Dublin and ESAD in Portugal the project is now almost half ways through its four year term. Simon has interacted with the project from its conception and currently acts as a Design Director for the project.
Simon currently lectures in the National College of Art and Design and has done so since 2008. He works as tutor to the students, through various design projects and has also worked with the college on his work in Perch.
He also lectures in NUI Maynooth, where he tutors the final year design students. In 2012, Simon was requested by the Cork Institute of Technology, to help them establish a new design lead course. He will also act as an external examiner for the course.
Simon has published his work in the Irish Ergonomic Society in 2009. He has presented work at the BINI, Bioengineering annual conference in Ireland in 2011 and also at the Dublin TEDx conference. In 2012, he spoke at the global Interaction 12 conference in Dublin and has won design awards at the IDI annual showcase.
ArtSHARES Abstract
A 3rd Cycle researcher working with industry
Simon Dennehy will discuss how the work he conducted through his Masters Study, in Industrial Design, with NCAD, has influenced his PhD inquiry. He will discuss his patented design, in brief and what he believse can be achieved by using this approach to task seating. Through interdisciplinary design, taking account of the scientific data banks from relevant sources, as well as acknowledging the need for a sympathetic aesthetic, the hope is to argue the need for a global approach to problem solving and design thinking.
How this work has formed the foundation, in part, for an EU funded FP7 IAPP, Marie Curie funded research programme will also be discussed. This programme has been entitled TFE Research (Task Furniture in Education). It has received over €1.3 million in funding and has partnered with some of the most significant industry and academic partners in Europe and the US.
Dennehy’s PhD work looks at the design development of a concept, through to completion and implementation. Through this process, I will discuss the need for both quantitative and qualitative analysis of working prototypes. This is a way forward for designers who make attempts to validate their concepts and create more value for the R&D and design disciplines.
How the IP created through Dennehy’s work has taken the shape of both Patented designs as well as a very intricate working knowledge of how to design for the user will also be a focus of the presentation.
Dennehy will introduce his company, Perch, and discuss how it borrows heavily from his PhD and MA work. This model of working sets Perch apart from traditional design companies.
To give a more complete overview of Perch Dennehy will discuss the latest unveiling of the RAY school chair, which has been successfully developed with commercial partners Labofa, a successful Danish company who have invested in design through intense research.
The presentation will highlight the benefits for this type of research. Finally, Dennehy will discuss the IP transfer from a Postgraduate project to industry and the future potential for continuing both PhD Research and commercial outputs as a direct result of the work.
VALIE EXPORT
VALIE EXPORT is one of the most important pioneers of conceptual media art, performance and film. Her artistic work includes: video environments, digital photography, installation, body performances, feature films, experimental films, documentaries, expanded cinema, conceptual photography, body-material interactions, persona performances, laser installations, objects, sculptures, and texts on contemporary art history and feminism.
Jeanne van Heeswijk
Jeanne van Heeswijk is a visual artist who creates contexts for interactions in public spaces. Her projects distinguish themselves through strong social involvement. With her work, Jeanne van Heeswijk stimulates and develops cultural production and creates new public (meeting-)spaces or remodels existing ones.
Barbara Holub
Barbara Holub is an artist based in Vienna and was trained as an architect at the Stuttgart University of Technology.
In 1999, she founded
transparadiso with Paul Rajakovics (architect and urbanist), a collaborative practice in between architecture, art, urban design and urban intervention. Transparadiso is engaged in developing new urbanistic tools and strategies for “direct urbanism” as third layer in addition to urban planning and urban design.
Barbara Holub has been a member of the editorial board of
dérive_magazine for urban research in Vienna since 2001; a member of the Public Arts Committee of Lower Austria from 2005 to 2007. She was president of the Vienna Secession from 2006 to 2007. In 2004 transparadiso received the Schindler grant for the MAK Center for Art and Architecture, Los Angeles, and in 2007 transparadiso was awarded the Otto-Wagner-Prize for Urban Design for the new urban quarter in Salzburg-Lehen.
Barbara Holub currently directs the research project “Planning Unplanned_Towards a New Positioning of Art in the Context of Urban Development" at the Institute for Art and Design, Vienna University of Technology.
Matthias Horx
Matthias Horx born in 1955, is considered the most influential futurist in the German-speaking world.
Between 1980 and 1992, he worked as author and editor on the magazines Tempo, Die Zeit and Merian. Horx was interested in science-fiction, value change, youth cultures, new technologies and during this time laid the foundations for his future profession. His essayist books, e.g. ‘Die Wilden 80er’ (the wild 80s) and ‘Aufstand in Schlaraffenland’ (rebellion in the land of milk and honey) are about value change and the zeitgeist of the 80s.
In 1993, he founded the Trendbüro Hamburg with Peter Wippermann. Trendbüro rapidly became the nucleus of German marketing orientated trend research, and five years later Matthias Horx founded the Zukunftsinstitut.
The Zukunftsinstitut’s main mission is the analysis and presentation of fundamental future developments in society, the economy and everyday culture. With headquarters near Frankfurt (Kelkheim) and branches in Vienna and representatives in London, the economic and political think-tank is now very much in demand throughout Europe.
Matthias Horx and his family currently live in Vienna. He has two sons, Julian and Tristan, and is married to the British journalist, Oona Strathern. His wife is actively involved in the work of the Zukunftsinstitut and has written a number of the studies published by the company.
1955: Born in Düsseldorf
1956-1965: Childhood in Kiel / Northern Germany
1965-1973: Youth and secondary school in Frankfurt/Main
1973-1980: Studied sociology at Frankfurt/Main University
1980-1985: Comic drawer and Science-Fiction author, editor of "Pflasterstrand" magazine
1980-1991: Author and editor at TEMPO, ZEIT and MERIAN in Hamburg.
During this time he published the bestselling "ZEITGEIST-Trilogy":
"Das Ende der Alternativen", "Aufstand im Schlaraffenland" und "Die wilden 80er".
1993: Married English journalist Oona Strathern
1993: Founded "Trendbüro"in Hamburg with Peter Wippermann.
Published the bestsellers "Trendbuch 1" and "Trendbuch 2"
1998: Founded Zukunftsinstitut in Kelkheim near Frankfurt
1999: Moved to Vienna
2005: Published "Wie wir leben werden" (How we Will Live, also available in English) and "Anleitung zum Zukunftsoptimismus" (Guide to Future Optimism)
2005-2010: ZUKUNFTSINSTITUT, is a well-established prognosis and consultancy firm with offices in Vienna and correspondents in London. The company has 35 employees and focuses on trend innovation and development of early warning systems.
From 2007: Teaching Trend and Future research at the Zeppelin University in Friedrichshafen/Bodensee.
2009-2010: Building and opening of the ‘Future Evolution House’ in Vienna.
Ute Meta Bauer
Ute Meta Bauer is Associate Professor at MIT’s School of Architecture and Planning, where she served as Founding Director of the Programme in Art, Culture and Technology and as Director of the Visual Arts Programme. She recently got appointed as Dean of Fine Arts at the Royal College in London. She studied stage design and art at the HfbK Hamburg, and for more than two decades, she has worked as curator of exhibitions and presentations on contemporary art, film, video, and sound with a focus on transdisciplinary formats. Bauer was Co-Curator of Documenta11 on the team of Okwui Enwezor, Artistic Director of the 3rd Berlin Biennale and served as Founding Director of the Office for Contemporary Art Norway (OCA).
Gerard Mortier
Gerard Mortier is a Belgian opera director and administrator of Flemish origin.
Mortier has served as general director of La Monnaie/De Munt (Brussels) (1981–1991) and of the Salzburg Festival (1990–2001). He was a founding director of the Ruhr Triennale arts festival in Germany, and then he became general director of the Opéra National de Parisfrom 2004-2009.
Late in November 2008, the Teatro Real of Madrid announced the appointment of Mortier as its next general director, effective September 2010.
Isabel Mundry
Isabel Mundry, 1963 born in Schlüchtern/Hessen, grown up in Berlin (West) / 1983–91 composition studies at the Hochschule der Künste Berlin (with Frank-Michael Beyer and
Gösta Neuwirth) as well as at the Studio of the Technische Universität (TU) Berlin; at the same time musicology (with Carl Dahlhaus), art history and philosophy at the TU Berlin / 1986–93 lecturer at the Berliner Kirchenmusikschule and at the Hochschule der Künste (HdK) Berlin / 1991–94 composition studies with Hans Zender in Frankfurt / 1992–94 stay in Paris, first at the Cité des Arts, later at the IRCAM / 1994–96 worked freelance in Vienna / 1996–2004 professor for composition at the Frankfurter Musikhochschule / 1997 instructor at the Akiyoshidai Festival (Japan) / 1998, 2000, 2002 and 2008 instructor at the Darmstädter Ferienkurse für Neue Musik / 2001 Composers’ Grant of the Ernst von Siemens Foundation / 2002/03 Fellowship of the Wissenschaftskolleg Berlin / since 2004 professor for composition at the Musikhochschule Zürich / 2007/08 first “Capell-Compositeur“ at the Staatskapelle Dresden / 2011 Heidelberg Female Artists’ Prize / since 2011 professor for composition at the Musikhochschule in Munich.
Numerous other prizes and scholarships.
Portrait concerts at home and abroad.
Image: http://www.weingarten-neue-musik.de/galerie.php?mghash=9322faa8d659aad5e09f027db4a50714&mggal=4
Shady El Noshokaty
Shady El Noshokaty is a contemporary Egyptian visual artist whose projects were featured in the biggest museums and international exhibitions around the world. He works as Assistant Professor at the Department of the Arts at the American University in Cairo.
At the 2011 Venice Biennale he was executive curator for Ahmed Basiony’s Art project (30 days Running in the place) in the Egyptian pavilion.
Shady El Noshokaty has also played an undeniable role in the field of art education in Egypt for the last decade.
In 2010 he established ASCII - foundation for contemporary art education – aimed to educate and develop young thinkers into new and alternative media practices.
Yoko Ono
Yoko Ono is a Japanese artist, author, and peace activist, known for her work in avant-garde art, music and filmmaking.
Ono brought feminism to the forefront in her music, which prefigured New Wave music, and is known for her philanthropic contributions to the arts, peace and AIDS outreach programs.
For further information on her latest projects and to learn more about her rich contribution to art and activist cultures visit
Yoko Ono's official website.
.
Lucia Rainer
Lucia Rainer (1983) is a German-Italian performer and performance studies theorist based in Hamburg, Germany.
She received her Bachelor of Arts in ‘Intercultural European and American Studies’ from the University of Halle/Saale and Macquarie University Sydney while working as an assistant theater director at the Stadt-Theater in Augsburg, Germany and Tutu Theater in Accra, Ghana.
In 2008 she received her Master of Arts in Performance Studies from the University of Hamburg and started working as a performer and performance director for small theaters in Guatemala City (Instituto Experimental) and Hamburg (LICHTHOF THEATER, Kulturhaus Eppendorf, Sprechwerk). From 2009 until 2011 she worked as the director of studies for the Hamburger Sprachschule developing language theater courses and integrating them into the school’s curriculum.
In 2010 Lucia Rainer started her PhD in performance studies at the University of Hamburg. In 2011 she was granted a three-month residency at the Künstlerdorf Schöppingen where she started her practice-based research and produced her first lecture performance ‘She’s All Dressed up for Peace’, which was performed at the Dancekiosk in Hamburg in 2012. Following this, she produced the lecture performances Wissen is(s)t Torte (knowledge = cake / knowledge is eating cake) for the International Performance Art Festival 2011 in Berlin and woMAN for the Stockholm Fringe Fest 2012.
In January 2012 Lucia Rainer taught within the project Der Choreografische Baukasten (The Choreographic Kit) at the University of Hamburg. Also, she teaches performance courses and contact improvisation to children, teenagers and adults. Lucia Rainer’s articles ‘Life is a cabaret’ (2011) and ‘Lecture performance. The experiment between art and science’ (2012) were published in tanz – die europäische Zeitschrift für Ballett, Tanz und Performance (dance – the European journal for ballet, dance and performance) and Praxistest. Künstlerische Projekte zur Vermittlung aktueller Kunst (On-Road-Test. Disseminating contemporary art projects).
Abstract
A Lecture Performance about Lecture Performances
The project “a lecture performance about lecture performances” is situated in the field of performance art. As a performer and performance theorist, Lucia Rainer practically and theoretically experiments with lectures as performances: She illustrates, exemplifies and questions ideas and hypotheses scenically, so that she is able to speak with a topic – and not merely about it. Her lecture performance explores the collaboration of two frames, that of the academic lecture and that of the artistic performance, wanting to understand how lecture performances bring forth knowledge and how this knowledge is recognized, communicated and legitimized by the audience.
Laura Popplow
Lena Freimüller
Therese Schuleit
Company for perception strategies.
Experts for spontaneous spacetime-folding.
Raumfaltung is working on interventions in public - with public spaces and with communities. Open dialogue is used as a tool for (artistic) research, while poetic changes of the status quo are used to get attention and awareness for the other possibilities of space. The aim is to open up the reception of the world as a place that is shaped by us and could be changed together. A part of the group has worked for some years with the artistic collective "Mühlenkampf". Recent projects made by a new constellation of people called "Raumfaltung" will be presented along with former projects made with Mühlenkampf. Projects involve a new nuclear power narration, a public school as social sculpture, and local production in a public housing district.
Laura Popplow
Lena Fremüller
Therese Schuleit
Hito Steyerl
Hito Steyerl has produced a variety of works as a filmmaker in the field of essayist documentary video.
Her principal topics of interest are media and the global circulation of images. In 2004 she participated in Manifesta 5, The European Biennial of Contemporary Art. She also participated in Documenta 12, Kassel 2007, Shanghai Biennial 2008, Gwangju and Taipeh Biennials 2010, and was the subject of numerous solo exhibitions throughout Europe.
She works at the Berlin University of the Arts as Professor for New Media Art.
Gerhard Treml
Gerhard Treml is a US-American/Austrian artist based in Vienna. His work explores narrative strategies in order to question relations that are basic to the understanding of everyday life. For this he appropriates practices from various cultural fields to investigate and redesign their purposes. Accordingly he has been mistaken for an architect, social scientist or most currently for a landscape designer.
In this role he is directing the collaborative art-based research program “Eden’s Edge” in cooperation with the University of Applied Arts and an international team of art based researchers generously supported by the Austrian Science Fund (FWF)
Their goal is to develop narrative tools to understand how stories of everyday life, work, science, politics, movies, dreams, or the news actually form the environments by which we interpret and make use of our physical world.
How this approach could practically also be utilized for the production of space was the basic question for a workshop the project team conducted with students of landscape design. Together they developed experimental practices within featured relations of plot and place as they followed Mikhail Bakhtin's insight into a writer's use of space.
Peter Weibel
Peter Weibel follows his artistic aims using a large variety of materials, methods and media: text, sculpture, installation, film and video.
In the mid 1980s he explores the possibilities of computer aided video processing. Beginning of the 1990s he realizes interactive computer-based installations. Here again he addresses the relation between media and the construction of reality.
In his books, lectures and articles Weibel comments on contemporary art, media history and media theory, film, video art and philosophy. As theoretician and curator he pleads for a form of art and art history that includes history of technology and history of science. In his function as a university professor (University of Applied Art, Vienna) and director of institutions like the Ars Electronica, Linz, the Institute for New Media in Frankfurt and the ZKM | Center for Art and Media Karlsruhe he influenced the European Scene of media art through conferences, exhibitions and publications.
Image: ONUK
Mick Wilson
Mick Wilson (b. 1964) [BA, MA, MSc, PhD] is a researcher, educator, artist and writer. He is currently the Head of Department of (the newly formed) Valand Academy; which is the result of a merger of the School of Film Directing, the School of Photography, the Valand School of Fine Arts and the Department of Literary Composition, Poetry and Prose of the University of Gothenburg. Previously Mick Wilson was the Dean of the Graduate School of Creative Arts & Media, Dublin, Ireland where he worked with artists, designers, curators, musicians, cultural historians/theorists, and policy analysts to investigate aspects of public culture and contemporary cultural practices.
Mick's research and professional interests are eclectic, ranging from the reputational economy of contemporary art to the rhetorical construction of knowledge conflict, and from the contested reconstruction of the contemporary university to the general arena of critical cultural pedagogies. He has lectured internationally on art research, public culture, critical education and urbanism. He is a member of the European Arts Research Network (EARN). Currently a visiting research scholar at UTAS, Australia; Adjunct Professor at Trinity College Dublin; and an Associate of the Humanities Institute of Ireland, UCD. He has organised many international conferences, summer schools and workshops. He has developed several new undergraduate and postgraduate programmes across contemporary art theory and practice. He was co-curator with Daniel Jewesbury of re : public (2010) an expanded exhibition platform on the nature of public culture and urban politics and he is co-curator of the food thing (2011-2013) a project investigating contemporary food cultures and politics.
John-Paul Zaccarini
Biography
John-Paul Zaccarini was an Artistic Director of award-winning Company FZ for 13 years.
He choreographed and performed for the Nobel Prize Ceremonies, The Royal Variety Show, The Millenium Dome, Hermes Fashion and L'Oreal and was photographed for French Vogue. He has just finished being Rehearsal Director for New York's STREB company for One Extraordinary Day, taking place on London's iconic buildings this Summer.
He has been an international circus/dance/theatre director, working with Gandini Juggling Project, Cirque Vost, Archaos, Cirkus Cirkor and has repeatedly turned down offers to perform with Cirque Du Soleil.
He performed with DV8 Physical Theatre on two tours of Enter Achilles and collaborated on the research project for Happiest Day of My Life.
He was nominated Best Actor by The Stage and earned the Total Theatre Award for Innovation and Excellence for Throat. World's Fair gave him the award for Best Contemporary Circus Artist in 2003.
He supervises on the M.A in Performance at the University of Dance and Circus in Stockholm where he is completing his PhD and where he was Visiting Professor 2007/08.
He is on the Board of Advisors for Circus Space London.
Abstract
Knowledge and the Transference in Circus Performance and Lecture Performance
Circus, like Psychoanalysis deals with sex, death and fantasy. It also needs an "other" to whom it must recount its story. My research deals with what happens in that transmission of information called the circus performance; what knowledge is communicated in that event and what relation is established between artist and other.
In order to do this I look at the Lacanian distinction between truth and knowledge in the analytic set-up and the circus event and find correspondences between the two
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Bauernmarkt 22
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Lichtensteg 3
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Rotenturmstrasse 15
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Hotel Das Tyrol
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Mariahilfer Strasse 15
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LeMeridien
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Opernring 13-15
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Hotel Terminus
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Fillgradergasse 4
1060 Vienna
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Kolpinghaus
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Schleifmühlgasse 25
1040 Vienna
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Hotel Admiral
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Hotel Alpha
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Buchfeldgasse 8
1080 Vienna
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Hotel Graf Stadion
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Buchfeldgasse 5
1080 Vienna
85,00 € for Twin Room
For reservations, please contact:
[email protected]
Reservation code: ELIA
(valid until 23 October 2012)
Hotel Ibis
www.ibishotel.com
Mariahilfergürtel 22-26
1060 Vienna
80,00 € for Singe Rooms
109,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA KONGRESS
(valid until 1 September 2012)
Hotel Levante Parliament
www.thelevante.com/
Auerspergastrasse 9
1080 Vienna
130,00 € for Singe Rooms
160,00 € for Double Rooms
For reservations, please contact:
www.thelevante.com/
Reservation code: Reservation-Link
(valid until 27 September 2012)
Hotel Museum
www.hotelmuseum.at
Museumstraße 3
1070 Vienna
70,00 € for Singe Rooms
135,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA
(valid until 1 October 2012)
Hotel Papageno
www.hotelpapageno.at
Wiedner Hauptstraße 23-25
1040 Vienna
112,00 € for Singe Rooms
128,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA
(valid until 7 September 2012)
Hotel Savoy
www.hotelsavoy.at
Lindengasse 12
1070 Vienna
95,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA
(valid until 8 September 2012)
Hotel Schweizerhof
www.schweizerhof.at
Bauernmarkt 22
1010 Vienna
110,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA
(payment for one night in advance)
Hotel Zipser
www.zipser.at
Lange Gasse 49
1080 Vienna
79,00 € to 115,00 € for Different Categories:
Standard to Superior
For reservations, please contact:
[email protected]
Reservation code: ELIA
4 Star
Hotel Beethoven
www.hotel-beethoven.at
Papagenogasse 6
1060 Vienna
98,00 € for Singe Rooms
108,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA Kontingent
(valid until 30 September 2012)
Hotel Das Tyrol
www.das-tyrol.at
Mariahilfer Strasse 15
A-1060 Wien
169,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA
(valid until 8 October 2012)
Hotel Kummer
www.austria-hotels.at
Maria Hilfer Straße 71a
1070 Vienna
99,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA
(valid until 28 September 2012)
Hotel Lamée
http://hotellamee.com/home/
Rotenturmstrasse 15
1010 Vienna
Different Price Categories 168-368 €
For reservations, please contact: b [email protected]
R eservation code: ELIA
(valid until 12 September 2012)
Hotel Topazz
http://hoteltopazz.com/home/
Lichtensteg 3
1010 Vienna
Different Price Categories 168-368 €
For reservations, please contact: [email protected]
R eservation code: ELIA
(valid until 12 September 2012)
5 Star
LeMeridien
www.lemeridienvienna.at
Opernring 13-15
1010 Vienna
190,00 € for Rooms
For reservations, please contact:
[email protected]
Reservation code: ELIA
(valid until 7 September 2012)
Boutique
The Ring
www.theringhotel.com
Boutique Kärntnerring 8
1010 Vienna
259,00 € for Single Rooms
299,00 € for Double Rooms
For reservations, please contact:
[email protected]
Reservation code: Booking Form
(valid until 7 October 2012)
